- byLorenzo Ricciardi
- 6 months ago
With Baskin, Turkish director Can Evrenol forged a visionary and visceral genre, a daring talent playing with surreal nightmares, innovative gore and demonic folklore
- byLorenzo Ricciardi
- 8 months ago
A pioneer of European action and science fiction cinema with a visual style influenced by Hollywood tradition, Luc Besson presents his latest film, Dracula
- byLorenzo Ricciardi
- 8 months ago
With the Terrifier franchise, director Damien Leone created the iconic Art the Clown, a sadistic and silent clown who dominates with sequences of raw and innovative violence.
- byLorenzo Ricciardi
- 8 months ago
A forerunner of low-budget independent cinema, Sean Cunningham has built a career based on fast-paced and innovative productions in the horror and exploitation genre, such as the first Friday the 13th and The Last House on the Left
- byLorenzo Ricciardi
- 9 months ago
Frankenstein is a faithful and intelligent reworking of Mary Shelley's original material, set in modern-day Los Angeles. In Bernard Rose's film, Frankenstein's creature is not a reanimated collection of criminal body parts, no bolts in the neck or flat hair. Rather, his creature is more of a grown child than a Boris Karloff clone.
- byLorenzo Ricciardi
- 9 months ago
A master of psychedelic and provocative terror, South African director Richard Stanley is known for redefining cyberpunk horror.
- byLorenzo Ricciardi
- 9 months ago
Takashi Miike, visionary Japanese director who revolutionized cinema with his explosive blend of extreme horror, yakuza pulp, and surreal humor, talks about
- byLorenzo Ricciardi
- 9 months ago
Specializing in the horror and thriller genre, and with a visually bold approach that has consolidated him among the contemporary masters of European horror, Jaume Balagueró presents his latest film, Venus
- byLorenzo Ricciardi
- 9 months ago
Ovidio Assonitis has financed and produced more than 50 films with an entrepreneurial approach geared toward global markets. With his debut behind the camera in 1974 with Who Are You?, considered the Italian answer to The Exorcist, he consolidated his influence in the exploitation genre






















