Month: <span>December 2025</span>

Recognized for his versatility in genres, from thriller to noir, and distinguished by an eccentric style and experimental approach, in 2010 Kim-jee Woon directed I Saw the Devil, acclaimed for its visual and narrative intensity

Frankenstein is a faithful and intelligent reworking of Mary Shelley's original material, set in modern-day Los Angeles. In Bernard Rose's film, Frankenstein's creature is not a reanimated collection of criminal body parts, no bolts in the neck or flat hair. Rather, his creature is more of a grown child than a Boris Karloff clone.

A master of psychedelic and provocative terror, South African director Richard Stanley is known for redefining cyberpunk horror.

Takashi Miike, visionary Japanese director who revolutionized cinema with his explosive blend of extreme horror, yakuza pulp, and surreal humor, talks about

Specializing in the horror and thriller genre, and with a visually bold approach that has consolidated him among the contemporary masters of European horror, Jaume Balagueró presents his latest film, Venus

Ovidio Assonitis has financed and produced more than 50 films with an entrepreneurial approach geared toward global markets. With his debut behind the camera in 1974 with Who Are You?, considered the Italian answer to The Exorcist, he consolidated his influence in the exploitation genre

Visually stunning, brutally violent, the remake of Maniac is a psychologically complex and horrific journey into the sick mind of a killer. Interviews with director Franck Khalfoun, screenwriters Alexandre Aja and Gregory Levasseur, and cinematographer Maxime Alexandre