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Aristide Massaccesi was not only the undisputed genius of porn, but also of Italian genre cinema, on par with other great names such as Fulci, Mattei, and Margheriti.

After the excellent success of Fragile and Darkness and the two chapters of Rec, with which he charted a solid trajectory in the fantasy genre, Spanish director Jaume Balagueró has decided to change direction altogether, abandoning the more traditional horror and exploring the more sophisticated mechanisms of a disturbing psychological thriller, where suspense and atmosphere are the main features.

Frankenstein is a faithful and intelligent reworking of Mary Shelley's original material, set in modern-day Los Angeles. In Bernard Rose's film, Frankenstein's creature is not a reanimated collection of criminal body parts, no bolts in the neck or flat hair. Rather, his creature is more of a grown child than a Boris Karloff clone.

Visually stunning, brutally violent, the remake of Maniac is a psychologically complex and horrific journey into the sick mind of a killer. Interviews with director Franck Khalfoun, screenwriters Alexandre Aja and Gregory Levasseur, and cinematographer Maxime Alexandre

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