{"id":4873,"date":"2026-02-05T19:54:55","date_gmt":"2026-02-05T18:54:55","guid":{"rendered":"https:\/\/www.horrortalks.com\/?p=4873"},"modified":"2026-02-05T20:06:35","modified_gmt":"2026-02-05T19:06:35","slug":"interview-with-bill-moseley-2010","status":"publish","type":"post","link":"https:\/\/www.horrortalks.com\/en\/interview-with-bill-moseley-2010\/","title":{"rendered":"Interview with Bill Moseley (2010)"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_column_text css=&#8221;&#8221;]<strong>How did your acting career start? Before that you were just a journalist&#8230;. <\/strong><\/p>\n<p>After finishing college, I made a living as a writer and journalist. My acting career came about somewhat by accident. At that time I was attracted to the mysterious phenomenon of animal mutilation that plagued the United States in the 1960s and 1970s. When Alan Rudolph&#8217;s film, <em>Endangered Species<\/em>, was in pre-production I exchanged some photos of mutilation with the producer in exchange for a small part, but not as an extra. So I became a member of the Screen Actors Guild (SAG) and my acting career began at that very moment&#8230;.<\/p>\n<p><strong>After that small part your first real feature film as an actor was <em>Texas Chainsaw Massacre 2<\/em>\u00a0where you played Chop Top, who later became one of your best-known characters. <\/strong><\/p>\n<p>Playing Chop-Top in <em>Texas Chainsaw Massacre 2<\/em>\u00a0in 1986 totally changed my life. I owe my acting career mostly to the director of that film, Tobe Hooper. It was he who wanted me in the film after seeing me as a hitchhiker in my short film <em>The Texas Chainsaw Manicure<\/em>, a parody of his original 1974 film. I was always troubled by that movie of his, but once I joined the family with the Chop-Top role my attitude changed dramatically. Plus I made a lot of money from this film&#8230;. (laughs, Ed.) And it was the role I enjoyed doing more than any other. I love many other Tobe Hooper films, but <em>Texas Chainsaw Massacre 2<\/em>\u00a0will always be, for obvious reasons, my favorite!<\/p>\n<p><em>The Texas Chainsaw Manicure<\/em> was a 5-minute short I wrote and produced in 1984. We shot it in a beauty salon in Staten Island, New York, on a budget of just $500. As I mentioned earlier, I was playing the character of the hitchhiker who is seen in <em>Texas Chainsaw Massacre 2<\/em>. Once in L.A. I showed it to a friend of mine who was then working as a screenwriter at Paramount Pictures in Hollywood. This friend of mine then went to Tobe Hooper&#8217;s office while he was working on <em>Poltergeist<\/em>. After viewing it he also showed it to Steven Spielberg (this, however, Tobe told me after we worked on it together)! They both liked what I had done. So two years later, while Tobe was working on the casting of <em>Texas Chainsaw Massacre 2<\/em>, he chose me for the role, without ever having auditioned, just because of that short film of mine!<\/p>\n<p><strong>In your long career you also had the opportunity to work with one of the greatest actors and directors in American cinema, Clint Eastwood, in the film <em>Pink Cadillac<\/em>.<\/strong><\/p>\n<p>In the movie <em>Pink Cadillac<\/em> I had a big scene with Clint Eastwood, just the two of us, in front of the shack where my character was standing guard. We had a couple of lines, then, after a noise from inside the shack, I was supposed to turn around and he was supposed to hit me with the butt of his gun. When the director (Buddy Van Horn) shouted &#8220;Action!&#8221; I started the dialogue with Clint, when he heard the noise I turned toward the shack, but as soon as I saw Clint raising the rubber gun to hit me, I fell to the ground doing a big jump and of course missed. The director cut the scene and asked me why I had not waited for Clint&#8217;s shot. Then I confessed that I was too excited because I was a big fan of Clint Eastwood, I had seen all his films! Hearing my words the whole cast and crew burst out laughing and Clint gave me a big smile. When we did the scene again I waited for the shot of his gun on my head and fell like a sack of potatoes, just as I should have done in the first take&#8230;.<\/p>\n<p><strong>You worked with Tom Savini on the remake of <em>Night of the Living Dead<\/em> but also recently on <em>Night of the Living Dead: Origins 3D<\/em>, a curious experiment combining horror and animated cinema, shot entirely in digital 3D. Two eras and two completely different projects. One very classic and the other excessively modern&#8230; <\/strong><\/p>\n<p>I played the part of Johnny in <em>Night of the Living Dead<\/em> after working with Tom Savini in <em>Texas Chainsaw Massacre 2<\/em>. He was in charge of special effects. We became good friends after spending hours together on the make-up of Chop-Top. When George Romero chose Tom to direct this remake, he immediately sent me a copy of the script and told me to choose which character I wanted. So I chose Harry Cooper, the evil man in the basement, because it was a very interesting role and also quite a long one. When I went to Tom to tell him my decision, he laughed and said, &#8220;Pick any role, but make sure it&#8217;s Johnny&#8217;s&#8221; (laughs, Ed.)<\/p>\n<p>For this part I studied the accent that Boris Karloff had in the film <em>Die, Monster, die!<\/em>, and then, while keeping the line that actor Russell Streiner uttered in Romero&#8217;s original film &#8220;They&#8217;re coming for you, Barbara!&#8221;, I added &#8220;They&#8217;re excited, Barbara. They&#8217;ve been dead too long.&#8221; Tom and George appreciated my improvisation and kept it in the final version of the film.<\/p>\n<p>Playing Johnny instead in the 3D <em>live-action<\/em> <em>Night of the Living Dead: Origins<\/em> was a very different experience, but just as fun. I recorded my character&#8217;s voice long before the film was finished. It was not an easy job, and in this, director Zebediah de Soto was very good at helping me. I had read the script several times, so I knew the story, but not having another actor in front of me to work with and compare myself to was quite difficult.<\/p>\n<p>We did <em>face capture<\/em> with a special camera that records facial expressions, so there was also a need to exaggerate reactions and emotions. Zebediah showed me some sequences of the completed film, but I&#8217;m looking forward to seeing the finished product.<\/p>\n<p><strong>In 1993 you also played a small role in<em>\u00a0Army of Darkness<\/em>. You then had the opportunity to work with another great director, Sam Raimi. <\/strong><\/p>\n<p>When I first saw <em>Evil Dead II<\/em>\u00a0at the Mann&#8217;s Chinese Theatre in Los Angeles during its brief theatrical release in the late 1980s, I was thunderstruck. I remember jumping through hoops to be able to work with Sam Raimi on <em>Army of Darkness<\/em>, so I sent him a letter in which I wrote about my major character, Chop-Top, in Hooper&#8217;s film and that I would love to meet him in person. I found out that Sam was a big fan of Chop-Top, so we met at a bar in Hollywood, hit it off right away, and I got the part of the captain of the Army of the Dead. I really enjoyed working with Sam and Bruce Campbell, who is one of my greatest horror idols of all time.<\/p>\n<p>And I&#8217;m also glad I survived the filming of the movie, as I wore heavy rubber armor, contact lenses and an eye patch as I galloped in the middle of the night through a field with hundreds of extras wielding flashlights and real swords!<\/p>\n<p><strong>Another fan favorite role is that of Otis Driftwood in Rob Zombie&#8217;s <em>House of 1,000 Corpses<\/em> and<em> The Devil&#8217;s Rejects<\/em>. <\/strong><\/p>\n<p>I really loved the role of Otis. Although he was the same character in both films, the Otis in <em>The Devil&#8217;s Rejects<\/em> was drastically different from the Otis in <em>House of 1,000 Corpses<\/em>. Physically in the first film Otis was a scrawny albino, in the second he looked more like one of the Allman Brothers (an American rock band, Ed.). Characteristically, however, the second Otis was much more gritty, cruel, and real. It is easy for fans to get attached to the character because Rob Zombie chose to emphasize his humanity despite the fact that he is a real &#8220;monster,&#8221; but unlike the other most famous monsters, Freddy Krueger, Michael Myers, and Jason Voorhees to name a few, he is not a supernatural being who gets hit over and over again and keeps getting back up. Playing Otis was great, it&#8217;s a beautiful part for an actor, but I would never want my daughters to bring a man like him into the house&#8230;. (laughs, Ed.)<\/p>\n<p><strong>Rob Zombie also wanted you in all his other films, in the first <em>Halloween<\/em>, in the fake trailer for <em>Werewolf women of the SS<\/em>, and you also voiced the character of Otis in <em>The haunted world of El Superbeasto<\/em>. What is it like working with him? On what occasion did you meet? <\/strong><\/p>\n<p>I first met Rob in 1999 at a horror festival at Universal Studios in Burbank, California. I was presenting the awards ceremony as Chop-Top, presented the award to Rob, who is a big fan of my character, then hung out backstage with him and his girlfriend, now his wife, Sheri Moon. A couple of months later I got a call from his manager Andy Gould telling me about the script for Rob&#8217;s first film, <em>House of 1,000 Corpses<\/em>, asking if I would be interested in being in it. I of course replied, &#8220;Hell yes I want to!&#8221;.<\/p>\n<p>Rob has always said that I was the first one cast as soon as he got the green light to shoot it, even before his wife Sheri. And that&#8217;s really exciting. I&#8217;ve always enjoyed working with him, and I consider him a good friend.<\/p>\n<p><strong>In your opinion, does Rob Zombie have the stuff and talent to become one of the greatest horror directors in the future? <\/strong><\/p>\n<p>Rob has the skill, vision, imagination and imagination to be one of the greatest horror directors of his generation. But Hollywood is an ugly beast, we have to constantly challenge ourselves, every day, we can&#8217;t rest on our laurels for long. And Rob has always been prolific and productive: when he&#8217;s not making movies he&#8217;s writing comics, he&#8217;s in the studio recording music or touring with real metal legends like Alice Cooper and Ozzy Osbourne. And on top of that he is married to the beautiful Sheri. Not exactly a bad life, I would say&#8230;.<\/p>\n<p><strong>Another horror project among the most interesting in recent years was Corbin Bernsen&#8217;s <em>Dead Air<\/em>, quite different from other recent hyperviolent zombie-movies. And you play the main character. <\/strong><\/p>\n<p>Playing radio host Logan Burnhardt in <em>Dead Air<\/em> was a nice alternative to the many strange roles I have played in my career: zombies, robots, and psychopaths for the most part. First of all, it was a real relief to play a character without subjecting myself to hours and hours of make-up! I had never worked in radio before, but I am chatty, so playing a deejay came naturally to me.<\/p>\n<p>However, it was not an easy role. The hardest part was the dialogues. We shot the first 70% of the film in ten long days, in which I had to learn a lot of dialogue. I&#8217;m good at improvising usually, but the dialogues in the script didn&#8217;t lend themselves much to improvisation because you had to know them well to get the meaning. It was hard work, but I really enjoyed it because it gave me a chance to play a hero! Working with co-stars Patty Tallman and David Moscow was fun and exciting all the time, and then Kenny Yakkel&#8217;s script was so fresh and smart that going to work every day was a real pleasure.<\/p>\n<p><strong>In 2010 you played the diabolical Mayor George Buckman in the splatter-comedy <em>2001 Maniacs: Field of Screams<\/em>. Was it difficult to take Robert Englund&#8217;s place from the first installment in a role that was particularly popular with fans? <\/strong><\/p>\n<p><em>2001 Maniacs: Field of Screams<\/em> was a fun and pressure-free film mainly because of our writer\/director Tim Sullivan. He was so excited and enjoyed shooting the film that his great enthusiasm was really infectious. We shot in the summer in the beautiful state of Iowa, so there was lots of great food and great weather. Then Jane, my eldest daughter, helped out in the special effects department, painting intestines and guts out of foam rubber, sort of a Moseley-take-your-daughter-to-work version. By the way, at the end of the movie during the credits you can hear one of my songs &#8220;Lord, Let Me Help You Decide.&#8221;<\/p>\n<p><strong>In your long career you have mostly done horror films. Was it your choice or did each role you played label you and condition the next role? <\/strong><\/p>\n<p>I love horror movies, always have, I grew up seeing these kinds of movies. I&#8217;ve always loved Halloween, scary things, so I feel part of the horror genre. Then, after playing the character of Chop-Top, my fate as a horror actor was forever sealed. For example, Rob Zombie chose me for his first film precisely because he was a big fan of that character. Much of my success in the horror world I owe to my great love for this genre, which I respect, always trying to do a great job, and always trying to be as prepared as possible.<\/p>\n<p><strong>Some of your fellow actors have decided at some point in their careers to try to make a film as a director. Have you ever thought about it? <\/strong><\/p>\n<p>I don&#8217;t know how good a director I could be, because I&#8217;ve never tried. The trick to being a good director is to have a solid and effective vision of how you intend to tell the story, be the leader, but also be open to the ideas of others. In short, you have to be a good soldier but also the commander! Joking aside, right now I am working on a screenplay that I would like to direct and star in, so I will let you know more when I finish writing it!<\/p>\n<p><strong>What role from the past have you always wanted to play? And which director would you have liked to work with? <\/strong><\/p>\n<p>I always loved the character of Reinfield played by Dwight Frye in the 1931 <em>Dracula<\/em>, and I would have loved to work with the very director of that film, Tod Browning.<\/p>\n<p><strong>How important is music in your life? Besides being an actor in fact you are also a musician, currently you are the lead singer of the progressive metal band &#8220;Cornbugs&#8221; and &#8220;Spider Mountain.&#8221; <\/strong><\/p>\n<p>As Chop-Top says in <em>Texas Chainsaw Massacre\u00a02<\/em> &#8216;Music is my life!&#8217; I come from a family of musicians, pianists to be precise. But when I was a boy I rebelled against this tradition and preferred to play percussion. Together with my brothers we then started a band called &#8220;The Moseley Brothers&#8221; in which I sang, played harmonica, bongos and drums. My band &#8220;Cornbugs&#8221; consists of Buckethead on guitar and Pinchface on drums. Recently with my new band, &#8220;Spider Mountain,&#8221; we released our first CD entitled &#8220;No Way Down.&#8221; One of our songs &#8220;Stupid Life of a Mom Eater&#8221; was voted &#8216;Song of the Year&#8217; by a popular internet radio station, and I have already mentioned how another of our songs is part of the soundtrack of the movie &#8220;2001 Maniacs : Field of Screams.&#8221; The music of &#8220;Cornbugs&#8221; and &#8220;Spider Mountain&#8221; are both available on iTunes, Amazon and on my website, www.choptopsbbq.com.<\/p>\n<p><strong>What is the best advice you can give to a young actor entering the world of acting for the first time?<\/strong><\/p>\n<p>Acting is a difficult thing. If you are thinking of trying to be an actor, you need to be prepared for a long, slow climb up a steep mountain. You need a resume, someone to represent you, and a lot of patience, persistence and self-confidence that must keep you fighting for your goal through the hard times. You must always expect to get a job, but never be sure you will succeed. Don&#8217;t waste your time with writers and producers. Try to make some money yourself, without borrowing too much from friends and family&#8230;. All I can say is &#8216;Good luck! Dreams can come true!'[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=&#8221;4875&#8243; alignment=&#8221;center&#8221; style=&#8221;vc_box_rounded&#8221; onclick=&#8221;link_image&#8221; css=&#8221;&#8221;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>With House of 1,000 Corps and Texas Chainsaw Massacre 2, Bill Moseley created iconic villains like Otis Driftwood and Chop Top, psychotic characters who dominate with surreal violence and irresistible sadism.<\/p>\n","protected":false},"author":2,"featured_media":4874,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"rs_blank_template":"","rs_page_bg_color":"","slide_template_v7":"","footnotes":""},"categories":[346,348,347],"tags":[349,350,351],"class_list":["post-4873","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinema","category-film","category-interviews","tag-cinema","tag-movie","tag-news"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - 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